Last year on Martin Luther King Jr. Day we had a discussion about songs and performers who spoke to the cause of civil rights. I posted a video of a Mavis Staples song and some well-known names like Nina Simone, Pete Seeger, Joan Baez and Bob Dylan were mentioned.
Near the end of the string, Barbara in Robbinsdale came up with this unexpected one – Shawn Phillips, and a folk song I had never heard before – Hey Nelly, Nelly. BiR was kind enough to give us the words, also.
Hey Nelly Nelly, come to the window
Hey Nelly Nelly look at what I see
He’s riding into town on a sway back mule
Got a tall black hat and he looks like a fool
He sure is talkin’ like he’s been to school
And it’s 1853Hey Nelly Nelly, listen what he’s sayin’
Hey Nelly Nelly, he says it’s gettin’ late
And he says them black folks should all be free
To walk around the same as you and me
He’s talkin’ ’bout a thing he calls democracy
And it’s 1858Hey Nelly Nelly hear the band a playing
Hey Nelly Nelly, hand me down my gun
“Cause the men are cheerin’ and the boys are too
They’re all puttin’ on their coats of blue
I can’t sit around here and talk to you
“Cause it’s 1861Hey Nelly Nelly, Come to the window
Hey Nelly Nelly, I’ve come back alive
My coat of blue is stained with red
And the man in the tall black hat is dead
We sure will remember all the things he said
In 1865Hey Nelly Nelly, come to the window
Hey Nelly Nelly, look at what I see
I see white folks and colored walkin’ side by side
They’re walkin’ in a column that’s a century wide
It’s still a long and a hard and a bloody ride
In 1963
I was a fan of this song before it even started because half the writing credit goes to Shel Silverstein. You can see that sly, bald devil at work as the lyrics set in context the long, long process of moving towards justice. And he gets Abe Lincoln into the starring role without ever mentioning his name. Ah, the power of a hat.
There are few things less fashionable today than earnest folk songs about changing the world, and there are even fewer songs that mention historic dates in a way that would be meaningful to anybody. “Hey Nelly Nelly” manages to do both, and it would be completely unknown today if not for a handful of recordings by Judy Collins. Still, you have to admire Silverstein and co-writer Jim Friedman for giving it a try.
What song do you know that almost no one else remembers?