, I don’t usually watch the Oscars, but decided to tune in Sunday night about 8:00. It’s fun to see all the gorgeous gowns (or non-gowns) and the antics of the host, et al. – like Jodie Foster blaming her crutches on Meryl Streep (they were reportedly due to a skiing accident). And this year I was curious to see what would transpire as a result of the “Time’s Up” movement.
But for me Frances McDormand, who won Best Actor for Three Billboards Outside Ebbing, Missouri, stole the show. She played the glamour game to a point, wearing a long dress and little if any make-up or jewelry. And Sunday night she was all business: “So I’m hyperventilating a little bit. So if I fall over, pick me up ‘cause I’ve got some things to say…”
After setting down Oscar on the floor beside her, she continued: “And now I want to get some perspective. If I may be so honored, to have all the female nominees nominated in every category stand with me in this room tonight. Meryl, if you do, everyone else will… Ok, look around… ladies and gentlemen, because we all have stories to tell, and projects we need financed. Don’t talk to us about it tonight. Invite us into your office in a couple days or you can come to ours, whichever suits you best, and we’ll tell you all about them.”
From Variety.com: “She finished her speech by calling for contractually mandated inclusion across films: ‘I have two words to leave with you tonight: inclusion rider.’ Specifically, an inclusion rider is a clause in the contract of the top line talent on a film that requires a diverse crew to be hired around them.” The article continues with McDormand’s comments about how “trending” differs from what is really happening in Hollywood.
Frances McDormand has become my role model, and I plan to see Three Billboards Outside Ebbing, Missouri, plus any of her other films I haven’t yet seen. She is my new favorite maverick. (Try and forget the Sarah Palin image that just entered your mind. I was going to call F.M. my favorite “renegade”, till I checked my definitions.)
Who is your favorite maverick, renegade, or iconoclast?