One of my childhood flights of fancy when mom took us to the drive-up teller window was that I could climb into the tiny shuttle and ride it through the pneumatic tube from our car into the bank. Tight fit. Fun trip. It was the sort of ridiculous thing a kid imagines that would not be fun at all in reality, but that’s what crossed my mind watching Chilean miners climb into a narrow capsule to be pulled 2,000 feet through an angled tube to the surface.
The rescue will go on, without complications or setbacks we hope, for the next day or so. It makes surprisingly good television, bringing together all the key elements – danger, tension, suspense, success, joy, tearful hugging, repeat. With lots of time along the way for a message from our sponsors. There are cameras at either end of the journey and a single prominent wheel atop the hoisting structure that we can watch as it reels in the cable that’s attached to the rescue capsule. Keep an eye on that gizmo, an airy multi-spoked contraption reminiscent of Gandhi’s symbolic spinning wheel. It will wind up in a museum someday.
When we talked about this unfolding dilemma back in August, our shared wish was that the ending would be happy enough to trigger a cheesy disaster movie, ala “The Poseidon Adventure”, or perhaps some new kind of surrealist stage play. “Waiting for Gondola”, anyone? I suspect there will be a slew of paintings, sculptures and YouTube mash-ups, not to mention the books, possibly one from each of the 33 miners. If this were happening in the USA, the rescued men would need a publicity agency to manage their opportunities and to keep them out of trouble with an aggressive press that is voracious for details, positive or otherwise.
You’ve been underground with 32 co-workers for well over two months. Now that you’re on the surface and are a national hero with a world press that has seemingly unlimited interest in your personal life, where do you draw the boundaries?






