Today is the birthday in 1904 of Moss Hart, a New York playwright and a theater guy who worked with some of the biggest names on Broadway (Irving Berlin, George S. Kaufman) and won a Pulitzer for “You Can’t Take It With You.”
You would have to include him in your list of 1940’s New York sophisticates (he married Kitty Carlisle, famous for being on the TV game show “To Tell The Truth”) even though Hart grew up far from the bright lights of Broadway. His first visit to Times Square happened when he was 12 years old and he did it on the sly, running an errand for the owner of the music store where he worked, purposely NOT asking his mother for permission to go, as he was told to do.
The family struggled to make ends meet, but somehow there was always money for his eccentric Aunt Kate to go to the theater. It may have been allowed because she brought some of the glamour of Broadway back into the house. In his autobiography, “Act One”, Hart says the family was “grateful for this small patch of lunatic brightness in the unending drabness of those years.”
“My mother and I always waited up for her return, and then she would re-create the entire evening for us. She was a wonderful reporter. She had a fine eye for irrelevant detail and a good critical sense of acting values. Her passion for the theater did not include being overwhelmed by it, nor was she a blind idolater of stars. She always sat in the gallery, of course, but she always got to the theater early enough to stand in the lobby and watch the audience go in – in order, as she expressed it, to get all there was to get! She must have been a strange figure indeed, standing in the lobby, her eyes darting about, “getting” everything there was to get, her conversation, if she spoke to anyone, a mixture of Clyde Fitch and Thomas Hardy; her own clothes a parody of the fashionable ladies going into the theater. But little indeed did escape her and she regaled us with all of it, from the audience arriving to the footlights dimming, and then the story of the play itself. She would smooth out the program on the kitchen table, and there we would sit, sometimes until two o’clock in the morning, reliving the play …”
I admire anyone who can be such a keen observer and instant – playback storyteller. It’s not unusual to hear someone say that they enjoy people watching, but it is one thing to have a great eye for detail, quite another to have clear recall, and still another to be able to act it out coherently. Aunt Kate may have been aided in her dramatic re-creations by a touch of insanity, but regardless, she is a major character in the Moss Hart story. Her obsession with the stage may be responsible for the creation of some lasting works from the pen of her fascinated nephew.
Are you a people watcher? And do you remember anything you see?









