Category Archives: Art

What’s In a Name?

I was a rep for a stamping company for many years…. you know, one of the home party companies.  Of course, for most of my tenure, I only did workshops in my home for my dedicated following.  I wasn’t really into “growing my business”; I just wanted have fun with my stamping friends and get the company discount.

I have stamps and accessories from many companies but even though I’m not selling any longer, I still get excited when the annual catalog comes out.  The first day to order is today.  One of the things I’ve learned over the years is that the colors of ink/paper in the catalog aren’t always QUITE the same in person as they are in the book.  You wouldn’t think I would be too fussy about my ink colors (especially if you could see how many I already have).  But when you have a lot, you don’t want duplication.  If I’m going to get another pink pad or green pad, it needs to be a different shade.  When I saw new colors called Polished Pink and Parakeet Party, I visited my rep (I signed up with her the day I resigned as a sales person) to see those colors in person.

Parakeet Party is a light but vibrant green but it occurs to me that the average person wouldn’t figure that out immediately.  And it made me think about some of the incredible names that stamp companies come up with for their colors.  Here are just a few… can you figure out what color they are by the name:

    • Coastal Cabana
    • Cadette
    • Alchemy
    • Mermaid

Of course a lot of them are more obvious:  Rich Razzleberry, Early Espresso, Bubblegum (just about ever company that does ink pads has one named this) and one of my favorites – Not Quite Navy.  I’m thinking that when they have meetings to talk about ink names, there must be alcohol involved!

What’s your favorite Crayola box?  8-pack?  24-pack?  64?  Living large with the Ultimate 152?  What about neons?  Or glitters?  Or confettis?

Spitting Snow

Spitting Snow

It was what we call “spitting” snow today, and while getting back in my car after errands, I noticed a flake that had landed on my black pant leg as I got behind the wheel. I looked closely, and actually heard myself shout “WOW!”, because this snowflake looked so different. This was not a flake of the lacy or feathery kind, that we try to imitate with scissors and white paper folded multiple times. It looked more like a tiny plastic “confetti” piece – like a flower I would have drawn as a child – with 6 identical and evenly spaced “petals” around some imaginary center.

https://www.bing.com/images/search?view=detailV2&ccid=s3rxzF48&id=3EC34A1387EE7A4D68DE8530A77D32CFF11C0E71&thid=OIP.s3rxzF48kK7FUL5OnCxVZAHaH1&mediaurl=https%3A%2F%2Fth.bing.com%2Fth%2Fid%2FR.b37af1cc5e3c90aec550be4e9c2c5564%3Frik%3DcQ4c8c8yfacwhQ%26riu%3Dhttp%253a%252f%252fcliparts.co%252fcliparts%252f6cy%252fX7A%252f6cyX7AXdi.jpg%26ehk%3DSIqnv8jopNXpFcZ%252bzXRZX9QBx03samVmPlyFyLM9jWY%253d%26risl%3D%26pid%3DImgRaw%26r%3D0%26sres%3D1%26sresct%3D1&exph=437&expw=413&q=6+petal+Flower+Template&simid=608018368400600089&form=IRPRST&ck=CFD7A5423D5832FF597A349452AB93AC&selectedindex=21&ajaxhist=0&ajaxserp=0&vt=0&sim=11

It seemed thicker than the usual flakes, but smaller in diameter – 1/16 of an inch at most; these flakes took longer to melt than the usual ones. I caught a couple more to make sure they really were snow – yep, just like the first one.

The snow let up, and the next time I noticed it coming down, I put on a black sweater and went outside to check. But the flakes were of the standard variety – the “magic” ones were gone. I wonder if anyone else noticed them.

When have you seen something really unique in nature?  What does it take to get you to slow down and look closely at something in your path?

Icy Art

At this time of year when you wake up to ice and snow, you have to work hard to find the fun in it.  I’ve been very crabby the last week (due to work) and boy, did the crummy weather not help.  All morning I was kind of fuming about it.

YA goes into the office on Wednesdays (although starting next week, we both have to go in on Tuesday/Wednesday/Thursday).  When she drives, she turns her car around near the garage so that she goes headfirst down the driveway.  When I went out over lunch to do a couple of errands, the tracks that her car made in the ice were kind of pretty, like the work of a modern artist working in an unusual lmedium.  It was just the lift that my spirits needed.

Have you seen anything that struck you as “artsy” recently?

The Sunwise Turn

I’m reading a quaint little memoir called “Sunwise Turn: A Human Comedy of Bookselling”.  Two women, with no bookselling experience decide to open a bookstore in New York in 1916.  The book was written in 1925.  It’s a fascinating story of how they got started and how they survived.  The book downplays the fame of the store, but online you can easily find a history of the store which was also a salon for up and coming writers as well as an exhibition and performance space. 

Early on in the book, the author describes how they came to name their shop:

The name was one of the crises through which we had somehow to get.  There is sin and virtue in a name.  We wanted a name that would mean something.  Everything was to be significant.  All kinds of titles of the thumb-mail variety were offered.  My partner telephoned me one day that Amy Murray had drawn up in the net of her Gallic wisdom the name ‘The Sunwise Turn”. 


They do everything daesal (sunwise) here” – Father Allen had told her of the people of Eriskay – “for they believe that to follow the course of the sun is propitious.   The sunwise turn is the lucky one.”

The key goes sunwise; the screw goes sunwise; the clock goes sunwise.  Cards are dealt with the sun.  The Gael handed the loving cup around the banqueting table sunwise; he handed the wedding ring and loaned money sunwise  An old sea captain who once came into the shop told me that wind and weather go sunwise, and once when I called in our Swedish contractor, Behrens, to confer with him about the furnace, eh said: “It out to be in the other corner of the house, maam.  I always put my furnaces in the north end.  Heat goes with the sun.”

I’m pretty sure naming your bookstore “Sunwise Turn” breaks every rule you can find about picking a name for your business.  It doesn’t say anything about what the shop sells and it’s unbelievable obscure, but I really fell in love with the name and the thought and meaning behind it.  Makes me want to open up a shop of some kind, just to use the name again.  

Let’s say you are opening a shop of your own next week.  What would you sell?  And what would you name it?

Borrrrrrring!

I’ve been writing a lot of notes these days and it’s been hard.  I don’t find I have much to say about my life.  It’s kinda boring.  I work, I sleep, I read – the triumvirate.  Then there’s all the day-to-day stuff that makes life run (cooking, eating, laundry, errands).

There is crafting of course.  It goes into the “Other Stuff” category because it’s not a daily activity; I tend to do most of my crafting on the weekend, when the big a** work monitor is moved off my desk in my studio.  It probably accounts for 6-7 hours a week. 

But even with the crafting, my life right now feels boring to me.  I lost my winter attitude way too soon this year and I’ve been feeling trapped in the house by the cold weather.  This is not something I usually experience during Minnesota winter.  The only difference between this winter and other winters has to be the lack of seeing other folks.  Calls, text, even online meetings for work aren’t quite the same as being with people (although I will admit the irony that I wish I could keep working from home starting the first week of April). 

 I am really looking forward go warmer weather so I can add a socializing slice to my pie.  And then there will soon be a gardening/yardwork slice to my pie as well as a dog-walking slice.  Can’t WAIT for a more interesting pie!

What does your pie include these days?  Any new slices coming up for you?

Death on the Nile

You probably all know that I’m a bit of a grouch where movies based on books are concerned.  And for some reason especially where Agatha Christie is concerned (I’m not really sure why).  The Albert Finney Murder on the Orient Express is good, very close to the book.  The Kenneth Branagh version – meh. 

But my favorite AG movies are the Peter Ustinov Death on the Nile as well as the David Suchet version from the PBS Poirot series.  The PU leaves out the secondary plot but the DS messes with the characters’ motives.  But I love them both and we won’t discuss how many times I’ve seen them (great background for while I’m in my studio).

I’ve known for many months that Kenneth Branagh’s Death on the Nile was looming and the trailers that I found online were a bit alarming but nonetheless YA and I ventured out last weekend to see it.  Maybe I would be pleasantly surprised; after all it’s a fabulous story, how could you mess it up? 

As YA and I drove to the theatre I promised her that I would not talk during the movie as I know she hates that.  Then she said “and if you don’t like it, no big sighs”.  Guess she’s been to that rodeo before!  We bought our snacks and settled down in our seats.

I knew in the first 5 seconds that we were in trouble.  It won’t be a spoiler alert to say that Agatha Christie NEVER gave Hercule Poirot a backstory.  And a jazz nightclub in Paris?  Nope.  And I can’t even talk about how far off script the various characters were.  I suppose there is something to be said about bringing a fresh coat of paint to something, but Branagh completely disassembled the furniture before adding paint.  And I’m pretty sure that no tourist boat in Egypt in the 30s was staffed with scores of young, white women in shorts. 

I will say that the visuals were stunning.  And I will give the movie makers their due on Abu Simbel.  They show the temple right at the water’s edge, which is the original location.  (The temple was moved to higher ground in the mid-60s.)  The PU version didn’t get this right and the DS version didn’t even have an Abu Simbel scene. 

It was SO hard not to sigh and then it turns out that I could have.  As we left the theatre, YA said “who was the murderer”; she had fallen asleep.  When we figured out how far back she had fallen asleep, I could have sighed for at least 20 minutes!

Any remakes that make you shudder or that you like better than the original?

Faces, Animal and Human

Today’s post comes from Clyde.

As a farm and woods child I was struck by how animals know to look humans in the face. Or is it just the eyes? Not always easy to tell. Maybe it is obvious for animals to look at our face, but I have never been sure it is. Maybe they are looking at the source of our voice, but the few woods animals with which I had close contact looked at my face and I was being silent. It was the cultural norm in my family to talk to the animals. Many insist that our pets pick up our moods. I think they probably read us well. Not sure they respond to our moods as people believe. I think we anthropomorphize their behavior more than we realize.

The human brain is hard-wired about faces. We memorize them extremely well. When researchers make minute changes in the key landmarks in a photo of someone their subjects know, the subjects recognize something is incorrect. This is why portraiture is so difficult. Maybe all mammals are hard-wired about faces.

As if to throw mud in our faces about this, some eastern Europeans studied the behavior of the brains of our dogs as they encounter us, watching to see how much of the brain lights up on scanners when they interact with us. Their studies show that the dog brain is no more responsive to the owner’s face than to the back of the head. This so far is a one-off study, needed other studies to duplicate, or not, their results.

But it makes me wonder. How much of our truth about our pets is in our heads and not in theirs, so to speak. The great science writer Stephen Jay Gould wrote very often about how scientists’ protocols of study and analysis of results produce the results they want to discover. Objectivity is not really ever very true.

Consider these three faces.

We certainly read all sorts of things into these three faces. The tuxedo cat is my son’s Neon and the St. Bernard is his son’s Melvin. The cat with the fancy ruffled shirt is my daughter’s Bean. (If you are wondering why the dog lacks the usual jowliness of the breed, it is because he is only a year old. The jowliness, my son tells me, starts to develop at that point. And both his parents are small for the breed and are not very jowly. He is small at 120 pounds.) What are you reading in their faces? They are just sitting there looking at their owners, maybe wondering what that thing is they hold up in front of them so often.

Amazon Prime has three series of a competition to find in Great Britain the Portrait Painter of the Year. You watch several painters painting one of three famous people. At each of four rounds they pick one painter to go onto the next round, and then they pick a winner. The three judges are very biased against anything very literal. Yet somehow the best four can capture the face very well in less literal modes. I suspect however the failed literalists get the most commission work. Sandy, oddly, is fascinated by these shows. So we watch them together in the afternoon when I am over there. No matter how you look at it, portraits are a fascinating topic in art history.

All you pet lovers, go ahead and disagree with me about your pets responding to you.

How objective do you think you can be?

Do you have a favorite great portrait or portrait painter?

How would you want your portrait to be painted?

Don’t Take Limestone for Granite

Today’s post comes to us from Clyde.

And I wave my magic crane . . . and, poof, it is gone.

A few years ago I wrote a blog about this sculpture which sat on the MSU-M campus, including my ambivalence to it. It is carved in the same Kasota limestone from just north of Mankato which is used at Target Field. Someone, I think maybe Jacque, did some digging and told me it is called the Pillars. And objected to my critique. All is fair in art criticism. My picture then did not show it settled in as does the header photo. It looks better in that photo surrounded by the vegetation. I even like it in that photo.

I had not driven past it in years, out of my way for everywhere I was going. Then Sandy went into memory care. As a result, I drive by it twice a day. After a few trips with my brain overloaded with the transition in my life, I looked that way, hard not to really when waiting at the stop light at a major pedestrian crossing on campus, and saw it is all gone.

My son got taken up by the question and did some digging. The MSU-M website says it is still there and makes no other comment. I drove around campus, which has quite a few sculptures strewn around, but did not see it anywhere else.

So it is a mystery. I can imagine a few reasons it is gone, such as various departments upset about being upside down or absent. One statue inside the student union is a hot topic right now with students and others. (See below.)

Mankato itself has many sculptures in it these days. It has a sculpture walk through downtown with some of them permanent and some changed out periodically. My own favorite is near the sculpture walk but has a different purpose.

This is the memorial to those Sioux/Lacota people who were hanged here after the Lacota Uprising. (It used to be called the Sioux Uprising but its name has been changed. But one tribal group near here still call themselves Sioux.) Behind the buffalo is a scroll, not shown in my photo, listing the names of those executed. It is a touchy issue how to memorialize that event, an event once portrayed on such things as a beer platter. The site is now part industrial and part library. It is a tiny little park almost under an overpass and next to a busy railroad track. It was carved by a native artist. It was once vandalized with paint but was easily cleaned and remains untouched, surprisingly. I find it perfect for the space and the purpose.

In the student union is a very nice sculpture of Abraham Lincoln, a little larger than life-size in a busy student traffic area, which is the hot topic issue. I am sure I do not need to explain. Without making any comment on that topic, I suggest maybe all sculptures of real people should be shown with feet of clay.

History is about changing points of view, changing taste, changing truth. How have your truths changed and your taste in art changed?

Chip Away

YA was seriously into the art scene over her birthday weekend.  She actually requested that I take either Friday or Monday off to go to the Minneapolis Art Institute with her.  I have a friend who works at MIA and she said it’s pretty deserted on week days, so I took Friday off and we headed to see art.

Since it was YA’s day, I let her  lead; she didn’t have anything in particular that she wanted to see so we pretty much just wandered around.  She isn’t a big reader so we saw far more than I would have seen on my own; I love to know what the artist has titled their work and any background/history on either the piece or the artist is always interesting to me.  Normally because I am slow, I don’t always see my favorite works but this isn’t a big deal as I know they will be there the next time.

So the first of my favorites we happened upon was the Yoruba shrine head.  It is exquisitely carved and I always have to be reminded that it’s centuries old as it seems very contemporary to me.

Then we walked through a gallery where the second of my favorites resides.  Les Trois Graces is a smaller version of a statue that was initially installed outside the Paris Opera House.  The artist, Jean-Baptiste Carpeaux, went on to do various versions of this work in a lot of different mediums (media?).  I love the delicacy of the hands and the gracefulness of the feet and toes as they dance.

I felt like good fortune had befallen me and then we climbed up to the third level and came across my very favorite, living in a different gallery than the last time I saw her.  The Veiled Lady by Monti.  I know that there is a technique to making marble seem transparent – something to do with the smoothness versus the roughness of the carved marble – but it still seems like magic to me.

And as if this weren’t enough, to see all three of my favorite pieces on the same day, we came across a little bronze piece, only about 10 inches high (see the header photo).  This is a sculpture of Loie Fuller, who was a well-known dancer in the late 1800s.  A quick search uncovers quite a bit of artwork based on Fuller, much of it can only be described as “ecstatic”, like this one. Of course, now I have a book of her life on hold at the library and I have a fourth favorite at MIA.

As we were departing the museum it occurred to me that all four of my favorites are sculptures.  Maybe because I have never seen all of them on the same day, I just never connected the dots.  If you had asked me last week, I could not have told you that my favorite artworks are sculptures (and not just at MIA).  I have always marveled at the artist’s ability to not only envision the sculpture but to chisel down to it.  Sculpture seems all the more magical to me because it must be so unforgiving.  One wrong hit of the hammer and you have to start over!

If these sculptures came to life, what would you serve them for lunch?

Two Bits

I see in the news that Maya Angelou is going to gracing our nation’s 25-cent piece this year.  I was actually a little skeptical about this, seeing as how Harriet Tubman hasn’t made it onto the twenty-dollar bill yet and they’ve been talking about THAT for years.

But apparently there is a whole series of 2022 American women quarters planned: Sally Ride, Maya Angelou, Wilma Mankiller, Nina Otero-Warren and Anna May Wong.  While I know Sally Ride (physicist, first American woman in space), Maya Angelou (writer, social activist) and Anna May Wong (first Chinese American film star in Hollywood), I have to admit that I didn’t know the names Wilma Mankiller or Nina Otero-Warren.

Wilma Mankiller was the first woman elected as principle chief of the Cherokee Nation and a lifelong activist for Native American rights.  Her surname Mankiller is a Cherokee name (Asgaya-dihi) and refers to a traditional Cherokee military rank, like major or captain.  She was elected Principle Chief in 1985 and served very successfully for ten years.  She was Ms. Magazine Woman of the Year in 1987, was inducted into the Women’s Hall of Fame in 1993 and received the Presidential Medal of Freedom from Bill Clinton.

María Adelina Isabel Emilia “Nina” Otero-Warren was a woman’s suffragist, educator, politician and the first female superintendent of the Santa Fe public schools.  In her role as superintendent she advocated abolishing the practice of sending Native American children to boarding schools  and sought to integrate ethnic cultures and languages into the New Mexico school curriculum.  She became the Director of Literacy under Franklin Roosevelt and later worked to preserve historic structures in Santa Fe and Taos and continued to promote Native American arts, language and culture.

I wish I had known who they were earlier, but I suppose this is better than never knowing them.  I’ll have to make sure to get one of each of these quarters in the coming year.

Did you ever collect coins?