Today we had summer fun at work. Out on the big patio, all the tools and t-shirts were ready for tie dying so we just wrapped up our shirts and squirted away. And I got a temporary tattoo (logo for our summer program). None of this has anything to do with my actual job, but it was fun and made the day go by a little faster.
A little while ago, I got an email from Jacque. She needed a “decent, professional photo” for a guest post she had submitted to a therapy blog.
Now I don’t think of myself as a “people photographer” but I thought that I could do an okay job. I have no studio lights or flash, much less a studio, and Jacque didn’t want a studio photo anyway, so we arranged to meet in her backyard.
I consulted with Steve, the photography expert in our baboon community, and he gave me some tips and suggestions, several of which confirmed things I had learned through photography classes. I made a list, using Steve’s tips and my own ideas:
Shoot in burst mode (in order to capture fleeting expressions)
Background should be contrasting, dark, and uninteresting
Jacque should be far enough away from background so that it is out of focus
Subject does not have to smile – she can look thoughtful, serious, intelligent
Subject should be in the shade, never the sun
Bring a stepstool since I am short and Jacque is not and a portrait pointing up at the face is not very flattering
Focus on the EYES
Meter the brightest part of the face and then set f/stop and shutter manually so there are not blown out highlights
In each new area where I shoot, make the first shot be of a gray card so I can easily get the white balance perfect
When I woke up the morning of our “date,” I was thrilled to see that it was an overcast day. Bright sunshine is the enemy of good outdoor portraits and a cloudy day would make it easier to get a good shot.
When I shot the portraits, I made a few mistakes.There were some stray rays of sunshine (that I hadn’t noticed while shooting) on her neck in some of them that wrecked an otherwise good picture. I had her too close to the background on some shots, so there were distracting details behind her. But I ended up with enough good shots for her to choose one with which she was happy. And I enjoyed the process, which mostly had to do with how easygoing and nice Jacque is and a little with the realization that I that I could do this.
A week later, Jacque treated me to lunch at Black Sheep Pizza. We ordered the Oyster Mushroom, Smoked Mozzarella, Rosemary & Garlic Pizza and, man, was that good. Even better was a chance to sit and talk. I feel that I had the better part of the deal: I got to shoot pictures of a beautiful person and then enjoy a meal with her.
When have you done a favor for somebody and felt that you benefited more than the person you helped?
So many issues ultimately come down to a chicken-or-the-egg controversy. For example, do we cry because sad music causes tears to flow? Or is it more that we get in such a funk that we play music we know will cause the waterworks to kick into high gear?
Some music makes me weep, and sometimes it is the same music that sends other folks into crying jags. But it gets complicated. Some songs that are sure to send many folks running for a box of tissues have no effect on me. I’ve read that Adele has done wonders for the sale of Kleenex, but she doesn’t get a sniffle from me. And I’m an easy weeper.
What songs—if any—make you cry? I vaguely remember an earlier discussion on Trail Baboon that got into this. One surprising finding was that there is a song about a boat (of all things) that makes Baboons bawl. I’ll admit to being one of them. Here is an interesting You Tube video. It has an unusual intro that is worth listening to:
My strong hunch is that another song that makes me cry is one that also affects other Baboons. I think I’m the person who introduced Dale Connelly and Tom Keith to Eva Cassidy. I sent them a CD and a note to say that her songs make me cry, especially this one:
Of course, Cassidy died far too young, and I’m sure that is part of her impact on me.
I have long admired the special ability of Bonnie Raitt to sing what I call “heartbreak songs.” She sings many songs that involve a compassionate person talking about heartbreak in terms that seem utterly authentic. For me, heartbreak songs coming from Bonnie Raitt have more credibility than they could have from any other singer. I was touched when Raitt admitted, in a Scott Simon interview, that singing one of those songs in concert has a serious physical and emotional impact on her. As often as she has sung them, when she delivers one of those songs she is left drained and has to turn to other kinds of music in order to recover. Here is one of my favorites:
Some songs are so sad it isn’t a wonder that they make us cry. As a teen I learned to be careful where I was when I heard a song about a dead dog. So it is hardly surprising that a song like this next one would make people cry:
I mean—Clapton is singing to his dead kid, wondering if they would recognize each other in heaven! That’s pretty emotional stuff! (Pardon me while I blow my nose!)
One of the saddest songs I’ve ever heard was written by a very funny and impish guy. But I have it on good authority that this song also moves many people:
Seeing other people cry can make us cry. Here is an interesting example of that:
And—just to keep this post from being too heavy—here is a song so over the top and manipulative that I can’t imagine a normal person crying after hearing it. There is sentiment . . . and then there is maudlin weepy excess. A song that was designed clumsily to yank our heartstrings was one of Elvis Presley’s early hits. And here he is . . . with a bit of a spin. This is actually the (now dead) comedian Andy Kaufman singing one of Elvis Presley’s sappiest songs:
I need a tissue! No . . . after that one, I need a shower!
We spent the weekend in Brookings, SD visiting our son and daughter in law. They moved to a new town home a couple of weeks ago, a place they will reside for a couple of years while they financially position themselves to purchase their first home.
Every time they move to a new place, they request my assistance hanging pictures. They insist that I am the only one who can hang the pictures straight, at the correct height, perfectly centered, and do it virtually error free. They say they make too many extraneous nail holes if they do it themselves. So, I scramble on top of the sofas, chairs, beds, and other furniture, measuring, marking, stretching, reaching, and pounding nails and picture hangers.
Each time they ask me to do this, I demonstrate, one more time, how to figure out where the center is, how to make sure groups of pictures are evenly spaced and at the same height, and I show them the tools they need. I also demonstrate how to hide extraneous holes with tiny screws of tissue and/or toothpaste. It isn’t rocket science. I learned this from my mother, who was a meticulous picture hanger, measuring side to side, ceiling to floor, to find the perfect spot for the nail.
They were so happy to have the pictures on the walls, and declared that the art and photos made their new place truly home. It could have looked like home much earlier if they did it themselves.
What skill set does your family depend on you for? What is your plan for teaching them to do it without you?
I was driving somewhere the other day and my iPod was playing randomized tunes. Patsy Cline’s “Back in Baby’s Arms” had just finished and was followed by John Pizzarelli singing “Be My Baby Tonight”. That started me thinking about the use of “Baby” as a term of endearment. It’s probably the most common way of addressing one’s significant other in popular music. More popular, I suspect, in songs than in real life.
In the 47 years Robin and I have been together, I’ve never called her an infant. But, as one who can’t let random musings pass unconsidered, I wonder: How and when did infantilizing one’s partner become desirable? Why would that be considered romantic? Is calling someone a baby ever the basis of an equitable adult relationship?
And isn’t it sort of creepy when you think about it?
On Nonny’s last full day in Minneapolis, we went out to The Arboretum. I have always thought I absorbed my love of gardening from her. She never asked me to participate, but I remember the work she put into her roses, her flowering trees and her vegetable plot.
It was a perfect day for it – not too hot and not too sunny. We took some advice from Lou and did the tram tour before we did anything else. We took the tour driver’s advice and sat in the very back row for the best view and the best sound quality. Nonny loved all the different trees, especially ones with “character” and I marveled at how much of the arboretum there really is!
One of the special exhibits this summer is Gardens of Kaleidoscopes – 15 fabulous sculptures that combine lovely floral arrangements in movable containers within structures that also hold kaleidoscopes. You look through the kaleidoscopes and then slowly spin the flowers (well, you don’t have to do it slowly a little boy of seven showed us). It was amazing and as always when confronted by art, I wonder how the artist thought of the idea in the first place.
View Through Kaleidoscope
What would YOU like to see through a kaleidoscope?
I planned a surprise activity for Nonny this morning. I knew I wouldn’t be able to really describe the experience well and she might not be excited about it, so I just sprung it on her. This turned out to be the perfect strategy.
We went to Simply Jane’s, a non-profit art studio just across the parking lot from Wiseacre (the restaurant that replaced our beloved Liberty Custard). They do amazing work at Simply Janes: art camp for kids in the summer, art therapy for the disabled. They hire the disabled when possible and go out to hospitals for those who can’t get to their storefront for an art outing. To raise the money for these services, they have a “drop in and paint” program. There are many canvases of different sizes with various simple art pre-drawn in black marker; you choose the one you want, they provide the paint, the brushes, even the paint smock. They even have master classes if you want to do a more complicated painting based on, well… the masters.
Nonny, who will repeatedly tell you that she is not artistic (hence the ‘spring the experience’ on her) chose a dragon and I chose a dolphin. Mine was a little bigger but since I had been to Simply Jane’s before, I thought I would be able to get mine done without having to make Nonny wait.
We had a great time – after we were done, the staff went over our paintings with a sharpie to make the initial lines distinct and then shellacked them for little more shine. Nonny asked lots of questions and took some of the literature with her. My guess is that she’ll look for something similar in St. Louis. She’s thinking of where to hang her little treasure now… at dinner she said “I guess it’s too big to hang from the rear view mirror in my car”!
Thursday night we attended the 11th annual Minnesota Orchestra Concert down by Lake Winona, which officially opens the 2017 Beethoven Festival. It was a delightful concert, and got me thinking about some differences between Outdoor and Indoor Concerts:
Outdoor
There may be a little rain an hour prior to concert, but hey, it blows over. (This has happened for the past two years.) The breeze makes the musicians find a way to secure their music to the stand.
You bring your own chairs (or blanket), a picnic supper, and have a glass of beer/wine if you are discreet.
The orchestra is seated on a platform, and you are on the ground below, so for the most part you can only see the string players. (It would be a good idea for the horns to stand when they have a prominent part, but I haven’t told them this yet.)
A little girl in a green dress runs around (and around…) her parents’ chairs during the Tchaikowsky Polonaise (and beyond). Kids are swinging as high as they can on the adjacent playground, while the orchestra plays three of Dvorak’s Slavonic Dances.
You can kick of your shoes and let your feet feel the grass.
You get to watch a really cool sunset while listening to the music.
You can hum along with John Williams’ Raiders of the Lost Ark theme and no one minds.
If you see someone you know, you can wave wildly, and easily find them after the concert ends.
Indoor
Weather is not an issue once you are in the venue. Musicians’ music usually stays put on its stand.
You have prepaid seating; refreshments can be purchased at Intermission, and must be consumed before returning to the auditorium.
The venue is designed so that much of the audience is looking down on the performers, and can see most of the players.
Children are regularly hushed and shushed throughout the concert, and will run around only at Intermission.
It’s probably best to leave your shoes on your feet… they’re hard to find in the dark if you need them.
The lights will go down when the music starts playing, and you will sit in the dark.
If you talk or sing during the concert, you will most likely get stern looks from those around you.
If you see someone you know, give a polite wave and hope they see you; perhaps you will find each other in the milling crowd at Intermission
When and where was the last outdoor performance you remember attending?